The life and masterworks of Rembrandt van Rijn — master of light, shadow and the human soul.
All
Person
Event
Conflicts
Disaster / crisis
Science
Culture
Companies
Countries
Dashed left edge = started before this timeline ·
Dashed right edge = still ongoing
Rembrandt 39
1606Rembrandt born in LeidenNinth child of a millerRembrandt Harmenszoon van Rijn was born on 15 July 1606. His father owned a malt mill on the Rhine — the van Rijn name comes from the river.
1620Enrolls at Leiden UniversityAnd leaves almost at onceRegistered as a student of letters at fourteen, Rembrandt abandoned the university within months to be apprenticed as a painter.
1621 – 1624Apprenticed to Jacob van SwanenburgThree years in a Leiden workshopHis first master had worked in Italy and specialised in scenes of hell and the underworld — an early exposure to dramatic firelight.
1624 – 1625Six months with Pieter LastmanAmsterdam — history paintingLastman taught him to build a narrative from gesture and expression. It was a short apprenticeship that shaped everything Rembrandt did afterwards.
1625 – 1631The Leiden studio with Jan LievensTwo young rivals sharing a workspaceRembrandt and Lievens worked side by side on the same subjects, close enough in style that attributions between them are still argued over.
1628Gerrit Dou becomes his first pupilAged fourteenThe first of roughly fifty students who passed through Rembrandt's studio over forty years — a workshop whose output still complicates his catalogue.
1628 – 1669The self-portraitsAround eighty over four decadesNo painter before him examined his own face so persistently. The sequence runs from a shadowed, uncertain youth to the swollen, unflinching old man of the final years.
1629Constantijn Huygens takes noticeThe route to court patronageThe secretary to the Prince of Orange visited the Leiden studio and wrote that this miller's son already surpassed the famous painters of antiquity.
1629Judas RepentantThe picture that made his nameHuygens singled it out for the figure of Judas — a body twisted in remorse, praised as beyond anything in classical art.
1631 – 1635Hendrick Uylenburgh's workshopPortraits on an industrial scaleWorking for the dealer Uylenburgh, Rembrandt turned out commissioned portraits at high speed — and met the dealer's cousin Saskia.
1631Moves to AmsterdamFrom provincial town to the richest city in EuropeRembrandt left Leiden for a city of merchants who wanted their portraits painted, and within a year he was the most sought-after portraitist in it.
1632The Anatomy Lesson of Dr. Nicolaes TulpRembrandt's first major commissionRembrandt painted The Anatomy Lesson of Dr. Nicolaes Tulp in 1632, his first major group portrait. The painting shows a public dissection and transformed the genre of group portraiture with its dramatic lighting and psychological intensity.
1633 – 1639The Passion seriesPainted for the Prince of OrangeFive scenes from the Passion for Frederik Hendrik, delivered slowly over six years amid a long correspondence about money.
1634Rembrandt marries Saskia van UylenburghMarriage to his beloved wifeRembrandt married Saskia van Uylenburgh on June 22, 1634. She was his muse and the model for many of his works. Her death in 1642 at age 29 profoundly affected him.
1635Belshazzar's FeastThe writing on the wallA king recoiling as letters blaze out of the darkness. Rembrandt got the Hebrew inscription from a scholar in his neighbourhood — and it reads down in columns rather than across.
1635First son born and diesRumbartus lived two monthsThe first of three children by Saskia who died in infancy. Only Titus, born in 1641, survived to adulthood.
1636 – 1643DanaëRepainted years laterRembrandt returned to the canvas long after finishing it and reworked the figure, apparently changing her face after Saskia's death.
1639Buys the house on JodenbreestraatThirteen thousand guilders he did not haveA grand house bought on credit, filled with the art, armour, shells and curiosities he collected compulsively. The debt was never cleared — it eventually broke him.
1641Titus is bornThe only child to surviveNamed after Saskia's sister Titia. He appears in his father's paintings from childhood to his twenties, and became his business partner.
1642 – 1649Geertje Dircx in the householdNurse to Titus, then Rembrandt's companionA widow hired to care for the infant Titus after Saskia's death. The relationship ended in open conflict.
1642Saskia diesRembrandt's wife dies at 29Rembrandt's wife Saskia van Uylenburgh died in 1642, the same year he completed The Night Watch. Her death marked a turning point in his life and career, and he entered a long period of financial and personal decline.
1642The Night Watch completedHis greatest painting — now in the RijksmuseumRembrandt completed The Night Watch in 1642 — a revolutionary group portrait of a militia company that transformed the static genre into a dynamic theatrical event. At 3.6 × 4.4 metres it is the largest painting in the Rijksmuseum.
1647 – 1649The Hundred Guilder PrintHis most celebrated etchingChrist healing the sick, worked and reworked through many states. The nickname comes from the extraordinary price a copy fetched in his own lifetime.
1649 – 1663Hendrickje StoffelsCompanion for the rest of her lifeEntered the house as a servant and stayed as Rembrandt's partner. He never married her — Saskia's will would have cost him his inheritance.
1649The Geertje Dircx caseA breach of promise suit — and a confinementGeertje sued Rembrandt for promising marriage. He countered, and had her committed to a house of correction in Gouda, where she was held for five years.
1653Aristotle with a Bust of HomerCommissioned from SicilyA philosopher's hand resting on the blind poet's head, gold chain catching the light. It travelled to Messina for a collector who had never met the painter.
1654Hendrickje summoned by the church councilCornelia is bornCalled before the Reformed consistory and barred from communion for living with Rembrandt unmarried. Their daughter Cornelia was born the same year.
1656Rembrandt declared insolventHis house and art collection auctionedRembrandt was declared insolvent in 1656 and his house and vast art collection were auctioned off. His extravagant lifestyle and costly art collecting had left him deeply in debt despite his enormous success.
1656The Anatomy Lesson of Dr DeijmanLater destroyed by fireA second anatomy piece, radically foreshortened with the corpse feet-first to the viewer. Only a charred fragment survives.
1657 – 1658The house and collection auctionedEverything sold to satisfy creditorsThe inventory drawn up for the sale runs to hundreds of items — paintings, prints, weapons, coral, casts. It is the fullest record we have of what he owned and looked at.
1658Moves to the RozengrachtA rented house in a poorer quarterRembrandt spent his last eleven years as a tenant in the Jordaan, painting some of his greatest work with almost no commissions coming in.
1660Titus and Hendrickje set up as dealersA way around the bankruptcyBecause Rembrandt could not legally trade, his son and partner formed a company that employed him — his output belonged to them, not his creditors.
1661 – 1662The Conspiracy of the BataviansHung in the town hall — then returnedA vast canvas for Amsterdam's new city hall, showing a one-eyed chieftain in harsh light. It was taken down within a year and Rembrandt cut it up.
1662The Syndics of the Drapers' GuildHis last great group portraitThe Syndics of the Amsterdam Drapers' Guild, painted in 1662, is considered Rembrandt's last great group portrait. The five cloth inspectors are painted with extraordinary psychological presence and seem to address the viewer directly.
1663Hendrickje diesProbably of plagueBuried in a rented grave in the Westerkerk during an epidemic that killed a tenth of Amsterdam.
1665 – 1669The Jewish BridePaint laid on like a reliefA couple in a gesture of extraordinary tenderness, the sleeve built up in thick trowelled gold. Van Gogh said he would give ten years of his life to sit before it for a fortnight.
1668Titus diesMonths after marryingRembrandt's last surviving son died at twenty-seven, leaving a pregnant widow. His father outlived him by little more than a year.
1669The Return of the Prodigal SonLeft in the studio at his deathThe father's two hands on the kneeling son's back are painted differently from each other. It was among the works still in the house when he died.
1669Rembrandt diesBuried in an unmarked graveRembrandt died on October 4, 1669, aged 63, poor and largely forgotten by the fashionable art world. He was buried in an unmarked rented grave in the Westerkerk, Amsterdam. His son Titus had died the previous year.