The organist of St Peter's in Rome and the most influential keyboard composer of the early Baroque, from Ferrara to Fiori musicali.
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Girolamo Frescobaldi 23
1583Girolamo Frescobaldi born in FerraraBorn in Ferrara in September 1583 and baptised on 13 September, the son of Filippo Frescobaldi, a man of some property who also played the organ.
1595 – 1604Girolamo Frescobaldi studies with Luzzasco LuzzaschiTrained in Ferrara under Luzzasco Luzzaschi, organist to the Este court, in a city known for its avant-garde madrigals and the experiments of Carlo Gesualdo.
1598Ferrara passes to the Papal StatesAfter Duke Alfonso II dEste died without a legitimate heir, the papacy took Ferrara and the Este court moved to Modena. The musical life that formed Frescobaldi broke up.
1604Girolamo Frescobaldi joins the Accademia di Santa CeciliaListed in Rome as organist of the Congregazione e Accademia di Santa Cecilia, his first known post in the city.
1607Girolamo Frescobaldi organist of Santa Maria in TrastevereAppointed organist of the basilica of Santa Maria in Trastevere in Rome, but held the post only a few months.
1607 – 1608Girolamo Frescobaldi travels to FlandersWent to Brussels in the household of Guido Bentivoglio, papal nuncio to Flanders, and met the musicians of the Spanish Netherlands.
1608Girolamo Frescobaldi publishes Fantasie a quattroTwelve four-part fantasias printed in Milan, his first collection of keyboard music, dense in counterpoint.
1608Girolamo Frescobaldi publishes his first book of madrigalsIl primo libro de madrigali for five voices, printed in Antwerp by Pierre Phalèse during his stay in the Low Countries. It was his first publication.
1608Girolamo Frescobaldi becomes organist of St PetersTook up the post of organist of the Cappella Giulia at St Peters Basilica in Rome, which he held until his death. Legend tells of a huge crowd at his first performance.
1613Girolamo Frescobaldi marries Orsola TravagliniMarried Orsola Travaglini in Rome. The couple had several children.
1615Girolamo Frescobaldi at the court of MantuaBriefly took service with Duke Ferdinando Gonzaga in Mantua, but the terms disappointed him and he returned to St Peters within weeks.
1615Girolamo Frescobaldi publishes Recercari et canzoni franzeseRicercars and French-style canzonas for keyboard, published in Rome.
1615Girolamo Frescobaldi publishes Toccate e partite, first bookThe first book of toccatas and partitas for harpsichord, with a preface on free tempo and expressive playing. Revised and reprinted several times.
1624Girolamo Frescobaldi publishes the first book of capricciIl primo libro di capricci, keyboard pieces built on popular tunes, solmisation themes and bird calls such as the cuckoo.
1627Girolamo Frescobaldi publishes the second book of toccatasIl secondo libro di toccate, with toccatas for organ at the elevation, canzonas, hymns and variations.
1628 – 1634Girolamo Frescobaldi organist to the Medici in FlorenceLeft Rome for Florence as court organist to Grand Duke Ferdinando II de Medici, on leave from St Peters.
1628Girolamo Frescobaldi publishes his canzoniIl primo libro delle canzoni for one to four instruments and continuo, edited by his pupil Bartolomeo Grassi.
1630Girolamo Frescobaldi publishes Arie musicaliTwo books of songs for one to three voices, printed in Florence, his main vocal work in the new monodic style.
1634Girolamo Frescobaldi returns to RomeBack at St Peters under the patronage of the Barberini family, Cardinal Francesco Barberini above all.
1635Girolamo Frescobaldi publishes Fiori musicaliFiori musicali, three organ masses with toccatas, ricercars and canzonas, printed in Venice. His most influential collection.
1637 – 1641Girolamo Frescobaldi teaches Johann Jacob FrobergerThe young German organist Froberger studied with him in Rome and carried his style north of the Alps.
1643Girolamo Frescobaldi dies in RomeDied in Rome on 1 March 1643 and was buried in the church of Santi Apostoli. His grave has since been lost.
1714Johann Sebastian Bach copies Fiori musicaliIn Weimar, Bach made his own copy of Frescobaldis Fiori musicali, a sign of how long the collection stayed a model for organists.