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Events on Saturday 1 January 1966 9
19661966: Jack BrabhamBrabhamBrabham won his third title in a car bearing his own name, becoming the only driver in F1 history to win the championship in a car he built himself.
1966Ballon d'OrWon the Ballon d'Or, awarded to the best footballer in Europe, and was named BBC Sports Personality of the Year and Football Writers' Association Footballer of the Year.
1966 – 1968Dallas Music SceneBecame a fixture of the Dallas music scene, playing in several bands including the Warlocks and American Blues, where he met bassist Dusty Hill. The two also briefly toured as a fake version of the British band The Zombies.
1966Fantastic Voyage and One Million Years B.C.Starred in Fantastic Voyage and One Million Years B.C. in the same year. A poster of Welch in a prehistoric doeskin bikini from the latter film became one of the best-selling pin-up posters of the decade and made her an international sex symbol.
1966 – 1969PhD at the University of IllinoisEarned his PhD in chemistry from the University of Illinois at Urbana-Champaign in 1969. His thesis focused on the physical chemistry of DNA. During this period, he read the 1966 Cold Spring Harbor Symposium volume on The Genetic Code, which sparked his interest in molecular biology and genetics.
1966River Deep – Mountain HighRecorded River Deep – Mountain High with producer Phil Spector, a song later recognised as one of the greatest pop recordings ever made.
1966Simon & Garfunkel's The Sound of Silence reaches number oneOverdubbed electricProducer Tom Wilson adds electric backing without telling them.
1966 – 1968University of BirminghamStudied English and drama at the University of Birmingham, graduating with a combined BA in 1968. Decided to concentrate on acting rather than pursue an academic career.
1966Venice Biennale: Narcissus GardenParticipated in the Venice Biennale with Narcissus Garden, an installation of hundreds of mirrored spheres laid out on a lawn. Dressed in a golden kimono, she began selling individual spheres for $2 each — a provocative critique of the art market — until Biennale organisers shut her down.